On Faust’s “It’s A Rainy Day Sunshine Girl,” the song’s seemingly simple title phrase is rendered cautionary through towering percussion and one driving G minor chord. A similar effect is conjured by UK Brad on his latest single “Continual Blesses.” There are few lyrics, and they arrive at the beginning of the nine-minute outing. As the artist Brad Kronz’s words—universal rhetoric about “best guesses” and “an image progressive”—are left further and further behind, they are transformed into abstract portents for the music to follow. An ever-building kick becomes a swaying pocket watch; undulating riffs spiral around the listener. I’ve always found the one-chord leanings of krautrock to signify a genre-specific worldview, that everyday life is a hypnotically monotonous affair. That principle is present on Kronz’s latest. By the time a chord change finally happens, the song almost immediately starts to fade out.